Creations, step up, stomp with the Bigfoot
Uh, yo, yo, yo, yo, yo, yo
Yo, yo
Yo, yo, yo, yo, yo, uh
We got broken hearts, we're from number-nine-two
We got love all while and it's true
Uh, yeah
The colored-stage, rage-covering from the gun
Number-to-number fades made confrontin' outta cumbersome
Lips lift water in bottle on up to them
Front row the only row, the show sold nothin'
Then second thoughts spell intimacy as a plus
Plus, energy conducts if I truly put my all in
The responsibility feels just like a calling
The rest of the crowd must be stallin' before they fall in
Or maybe this all them and there's no more autumn
Try not to worry 'bout the walkings and focus on the waltzin'
If the King of New York actually enters, that'd be awesome
But it's better not to get lost inside in a song talking
Or out of song thoughts that I have
Or second-guessing actions up on stage in case they laugh
These are the times that I wish I had a mask like I'm Daft
Waiting on my break with no signatures on my cast, cast, cast
You don' know
(You don't know, no)
Concert creations step 'em by one, two
(Step 'em by one, two)
You don' know
(You don't know)
Concert creations step 'em by one, two
(One, two, ooh)
Uh, yeah, uh
What does a break take? When does it take place?
Often in space and time, important to have a portion
Is it a safe space to make mates all at once or in installments?
Is it a base rate? Devalue their involvement, is it evolving?
Is there a standard to differentiate between the offerings?
Or am I just church steps to an orphan and I take whatever they tossin'?
Or be more like Andre Dawson when they obfuscate the losses?
Gloss over the cautions
Overlook the awful and emphasize the gains and they underplay the pain
But I never signed up to be a lawyer
I just came to spread the joy of when you sing, sing, sing, sing, sing
But that'd be the same thing that'd destroy ya
If you don't look over like a voyeur
With extra OCD and paranoia, every single piece and part
A piece for hearts to rest, a rest in peace to art
And normally, these things that you would keep inside your head
But you realized you were singin' this instead
You don' know
(You don't, you don't, you don't)
Concert creations step 'em by one, two
(By one, two)
You don' know
(You don't know, you don't know)
Concert creations step 'em by one, two
(Concert creations step 'em by one, two)
And for the encore, on towards entourage
On tour, award show, wardrobe, war for more
Attention, mortal toro of the tourist, taunting forces too enormous
For a single portrait to successfully record it
Dun, dun-dun
Dun, dun-dun
Dun, dun-dun
And for the encore, on towards entourage
On tour, award show, wardrobe, war for more
Attention, mortal toro of the tourist, taunting forces too enormous
For a single portrait to successfully record it
Dun, dun-dun, we could be more supportive
Dun, dun-dun, if I speak, don't think it's chorus
Dun, dun-dun, bet you hooked just like a chorus
Dun, dun-dun, dun
Lupe Fiasco, real name Wasalu Muhammad Jaco, is an American rapper and singer born in Chicago in 1982. Known for his complex rhymes, rapid flow, and poetic sensibility, Lupe Fiasco has gained a loyal fanbase thanks to the originality of his sound that blends hip-hop with influences from jazz, soul, and funk. His debut album, *Food and Liquor*, released in 2006, was critically acclaimed and established Lupe Fiasco as one of the most talented rappers of his generation. Among his most representative tracks are «Kick, Push», «Superstar» and «Daydreamin'». Throughout his career, Lupe Fiasco has collaborated with prominent artists such as Jay-Z, Pharrell Williams, and Kanye West. His social and political engagement often reflects in his songs, addressing issues such as social justice, racial oppression, and war.
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