Yeah, hun, Prim's, yeah
Hun
En studio jusqu'à minuit même
Être millionnaire, c'est l'minimum
J'aurais pu finir à la DDASS, les gens sont mauvais à la base
Ils auraient pu choisir Jésus, ils ont préféré Barabbas
Ça?sort?comme?ça sort, jette?ça cru
D'accord, rajoute?alcool dans Schweppes Agrumes
C'est devenir un homme qui nique tout, un jour, t'éclates la carapace
Nous, on regardait Kirikou pour la poitrine à Karaba
Mes potos préparaient la weed, être une star jusqu'au Malawi
C'est c'que j'voulais mais, dans ma tête, j'suis isolé comme Gazaoui
Je voyage tout l'temps depuis l'temps, pourtant, j'veux redevenir casanier
Le temps s'écourtant, content près des miens comme Teji Savanier
(Eh) On pratique un débit de tempête au micro
J'suis quarterback comme Tom Brady, j'suis quarterback comme Toni Kroos
J'te fais la passe tranquille, Africain rêve de vaste empire
C'est ma vraie vie, pas une série de Gastambide
Faut faire l'oseille pour la madré
Mais, à chaque problème, t'as capté, je cherche un nouveau karaté
(Yeah, hun) C'est disparaître ou s'adapter
Mais, à chaque problème, t'as capté, je cherche un nouveau karaté
On vit la nuit, on s'lève l'aprèm'
On frappe d'abord, on parle après
Pour le charisme, hein, pour le talisman, bipolaire
J'suis un peu Aristote, un peu Travis Scott, millionnaire
Narco comme à la barre, drapeau comme à la CAN (yeah)
Les mecs, grandissez un peu, quittez le quartier
J'avance masqué comme Kakashi et Spider-Man
L'amour, c'est rare comme les surfeurs et skieurs noirs
Les yeux rivés sur Cassiopée
J'suis mon étoile, je reste opé', verre d'Hennessy VSOP
Encore au studio même mais, t'inquiète, tudo bem
J'prépare la bombe, meilleur album : AMOUR SUPRÊME
Faut faire l'oseille pour la madré
Mais, à chaque problème, t'as capté, je cherche un nouveau karaté
(Yeah, hun) C'est disparaître ou s'adapter
Mais, à chaque problème, t'as capté, je cherche un nouveau karaté
(Yeah, hun) Faut faire l'oseille pour la madré
Mais, à chaque problème, t'as capté, je cherche un nouveau karaté
(Yeah, hun) C'est disparaître ou s'adapter
Mais, à chaque problème, t'as capté, je cherche un nouveau karaté
T'as capté
Youssoupha Mabiki, known professionally as Youssoupha, is a French rapper of Congolese origin born in Paris in 1982. Considered one of the most important figures in contemporary French rap, he stands out for his introspective poetics and the social themes he addresses in his lyrics. His music blends elements of traditional hip hop with Afro-Caribbean and jazz influences, creating a unique and recognizable sound. After collaborating with artists like Oxmo Puccino and MC Solaar, Youssoupha debuted in 2007 with the album "L'école du micro d'argent", which established him as a prominent artist. Among his most important albums are "Noir dès le départ" (2010), "Éternel insatisfait" (2013) and "Contre-attaque" (2016). Youssoupha is also known for his participation in theatrical and film projects, demonstrating a multifaceted talent that makes him a reference figure in contemporary French culture. Some of his most representative tracks are: "Le monde est à nous", "Noir dès le départ", "La vie est belle" and "Contre-attaque".
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!
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