First hour of the day, always get so much done
So much was undone
The sun came up in London
Over breakfast I had an epiphany
Meet me on Bond Street
You talk like traffic
I'm tryin' to cross the road
But who wants pedestrian?
Black taxis' mass
You signal something jumbled that I just have to love
You call me Jack the Ripper, I'm so about these gaslights
The gaslights look old
They would cast light, looking cold
If the night wasn't over
Aimless on my feet like any old James on Bond Street
Manicured pavements
Manicured behaviour
Over breakfast I had an epiphany
Meet me on Bond Street
Brexit at Tiffany's
Nostalgic for glamour that never happened
Put your fork in the ham on a gingham table
Pour the Assam and spill on the porcelain saucer
I don't listen to music like you do
I listen to the same song over and over
Together in leather
In umbrella weather
There's no window dressing us
I can't afford the price
Blurry people walk past, as I remain starin'
Like a Dirty Diana teapot
Let's commemorate us
Get the silver engraved in loving memory
Over breakfast I had an epiphany
Meet me on Bond Street
Brexit at Tiffany's
Over breakfast I had an epiphany
Meet me on Bond Street
Your face is a foreign language
Like an Arabic Rolex
Façades of London
Meet me on Bond Street
The Streets are the musical project of Mike Skinner, a British rapper and record producer born in Birmingham in 1974. Active from 2000 to 2011, he revolutionized the British hip-hop scene with a raw and realistic sound that reflected the everyday life of working-class English people. Skinner stands out for his incisive and poetic lyrics, often inspired by his personal experiences and the social reality of his country. His albums, such as "Original Pirate Material" (2002) and "A Grand Don't Come for Free" (2004), are considered milestones in contemporary British music. Among the most representative tracks: "Has It Come to This?", "Let's Push Things Forward", "Blinded by the Lights". Skinner has collaborated with artists like Dizzee Rascal and Amy Winehouse, influencing generations of musicians.
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