Capo 1st fret
Intro:F G C
G F C
When the wind from the island is rollin' through the trees
G F C
When a kiss from a prison cell is carried in the breeze
F Em F C
That's when I wonder how sad a man can be.
F G7 C F C
Oh, when will Celia come to me?
I still remember the mountains of the war
Sierra Madre and the Philipino shore
When will I lie beside my Celia 'neath the trees?
Oh, when will Celia come to me?
So many years were stolen, so many years are gone
And the vision of my Celia make dreams to dream upon
Each hour is a day filled with memories.
Oh, when will Celia come to me?
I wake each morning and I watch the sun arise
Wonder if my Celia sleeps, wonder if she cries
If hate must be my prison lock, love must be the key
Oh, when will Celia come to me?
The guns have stopped their firing, you may wander through the hills
They kept my Celia through the war, they keep her from me still.
She waits upon island now, a prisoner of the sea.
Oh, when will Celia come to me?
When the wind from the island is rolling through the trees
When a kiss from a prison cell is carried in the breeze
That's when I wonder how sad a man can be.
Oh, when will Celia come to me?
Oh, when will Celia come to me?
Phil Ochs (1940-1976) was an American singer-songwriter known for his politically and socially charged protest songs. Born Philip David Ochs in El Paso, Texas, he began his musical career in the 1950s, influenced by artists like Woody Guthrie and Pete Seeger. Ochs distinguished himself for his civic engagement and his ability to transform political events into incisive and musically engaging lyrics. His songs addressed themes such as the Vietnam War, social inequality, and civil rights, earning him the moniker "topical singer", a term he preferred over "protest singer". Among his most famous songs are "Draft Dodger Rag", "I Ain't Marching Anymore" and "Here's to the State of Mississippi". Ochs released numerous albums, including "Phil Ochs Sings", "Gun of Love" and "Pleasures of the Harbor", which helped solidify his position as one of the most influential protest singers of the 1960s. His music has inspired generations of artists and continues to be listened to today for its message of social justice and its evocative power.
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