Pre(capo I)
Am dm
Just across the railroad tracks
Am g
On the far side of the town
Amdm
All the people there are black
Am g
And they live in colored town
Am
Colored town
Speeding cars down the highway run
They never stop to look around
One place that the highway shuns
And that place is colored town
Colored town
On the sidewalk children play
In the gutters watch them clown
White world is so far away
So far away from colored town
Colored town
The owners of the local stores
Owners of the local ground
They're walking on a finer floor
Skin's too white for colored town
Colored town
In the early of the day
For the white homes they are bound
As a janitor, as a maid
They leave their place in colored town
Colored town
Come the evening, come the wine
Come the dancing music sound
Liquor knows no color line
Not even down in colored town
Colored town
A prison with no prison guards
Where no padlocks can be found
A jail without cells and bars
But you'll never escape from colored town
Colored town
Come let's open all the doors
From birmingham to harlem's ground
From jackson to chicago's shores
Let's take a look at colored town
Colored town
Come take a look at colored town
Colored town
Phil Ochs (1940-1976) è stato un cantautore americano noto per le sue canzoni di protesta politica e sociale. Nato Philip David Ochs a El Paso, Texas, ha iniziato la sua carriera musicale negli anni '50, influenzato da artisti come Woody Guthrie e Pete Seeger. Ochs si distinse per il suo impegno civile e la sua capacità di trasformare eventi politici in testi incisivi e musicalmente coinvolgenti. Le sue canzoni affrontavano temi come la guerra del Vietnam, la disuguaglianza sociale e i diritti civili, guadagnandosi l'appellativo di "topical singer", un termine che lui stesso preferiva a quello di cantautore di protesta. Tra le sue canzoni più famose ricordiamo "Draft Dodger Rag", "I Ain't Marching Anymore" e "Here's to the State of Mississippi". Ochs ha pubblicato numerosi album, tra cui "Phil Ochs Sings", "Gun of Love" e "Pleasures of the Harbor", che hanno contribuito a consolidare la sua posizione come uno dei cantautori di protesta più influenti degli anni '60. La sua musica ha ispirato generazioni di artisti e continua ad essere ascoltata oggi per il suo messaggio di giustizia sociale e la sua potenza evocativa.
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