Le grand Totor qu'est en ménage avec Totoche
Qui la filoche
Et la défend,
C'est pas un mec à la mie d'pain, poisse à la manque
Qui fait sa planque
Comme un feignant.
Comme un chef d'administration,
Il organise la production,
Le nécessaire et l'superflu.
Tout est réglé, tout est prévu.
Pendant les heur's d'exploitation,
C'est pas un homme', c'est un démon
Mais, en dehors de ses fonctions,
C'est pas un homme, c'est un mouton.
Après l'boulot, si qu'elle veut faire des heures en plus,
C'est son affaire et dans l'fond ça n'le r'garde plus.
Comm' dit Totor, ça m'fait pas tort.
Pour l'argent qu'ell' gagne au-dehors,
On est d'accord, comm' dit Totor.
Faut pas s'conduire comme un butor.
Comm' dit Totor, j'y laisse le droit d'la dépenser
A volonté, d'la ramasser ou d'la placer,
De s'tuyauter, d'boursicoter,
D'ach'ter d'la rente ou du foncier
En suivant les cours financiers
Des charbonnages ou des aciers.
J'ai pas l'droit d'y fourrer mon nez.
CORRÈQUE... et RÉGUYER !
Pendant qu'les autres vont jouer l'pastis à la belote
Avec les potes
Dans les bistros,
Totor contrôl' tout c'que la Totoche lui raconte
Et fait des comptes
Dans son bureau.
Pour le resquillage et l'boni,
Avant qu'elle parle il a compris.
Y a rien à chiquer avec lui.
C'est pas un homme, c'est un taxi.
A moins d'erreur ou d'omission,
A la première contestation,
La machine à coller des j'tons
Est prête pour la distribution.
Dans les affair's, quand on s'laiss'faire, on est foutu.
Comm' dit Totor : Il faut d'abord, quand ça n'va plus,
Y aller d'autor et taper fort.
Mais un' fois qu'on a fait du sport,
Comm' dit Totor, ce s'rait un tort
Que de s'conduir' comme un butor.
Quand qu'c'est réglé, à quoi qu'ça sert d'êtr' rancunier.
Comm' dit Totor, un' fois qu'il a la main tournée,
Il lui coll' du taff'tas gommé
Et lui dit pour la consoler :
Blessée en servic' commandé,
C'est un accident du métier...
Demain, t'iras pas travailler.
CORRÈQUE et RÉGUYER !
Et malgré ça, y a des jours où qu' la môm' Totoche
Fait sa caboche
Et r'prend l'dessus.
Ça fait qu'un soir a s'est fait voir avec Tatave,
Et c'qu'est l'plus grave,
Totor l'a su !
Comm' dit Totor, qu'on soy' bourgeois,
Barbeau, prince ou n'importe quoi,
Chacun son bien, chacun son dû,
Sans ça la morale est foutue,
C'qui fait qu'en sortant du restaur'
Tatav' s'est trouvé d'vant Totor,
Qui y a dit, les yeux dans les yeux,
On va régler ça tous les deux.
Dans les affair's, quand on s'laiss' faire, on est foutu,
Mais l'môm' Tatav' y a dit : Totor, j'te comprends pus.
J'te jure, Totor, t'est dans mon tort.
Avec la môm' j'ai pas d'remords.
On est d'accord, et quand on a sort,
J'y r'fil' cent ball's dans l'collidor,
Alors Totor y a dit : j'ai rien à te r'procher.
Tu vois, mon pot', si tu m'avais pas renseigné,
On s'rait en train d's'entrelarder,
Mais moi, j'pouvais pas l'deviner
Vu qu'a m'a jamais rien donné.
Final'ment tu peux t'en aller,
Mais c'est ell' qui va dérouiller.
CORRÈQUE et RÉGUYER !
Édith Piaf, pseudonimo di Édith Giovanna Gassion (Parigi, 19 dicembre 1915 ? Grasse, 11 ottobre 1963), è stata una cantante francese. È stata una grande interprete del filone realista (chanteuse réaliste). Nota anche come "Passerotto", come veniva amorevolmente chiamata (passerotto infatti nell'argot francese si dice piaf), ha deliziato le folle tra gli anni trenta e sessanta. Ma già ai suoi primi sette anni ha realizzato il suo primo passo verso la musica cantando per suo padre in strada, per qualche spicciolo, la folla la gradì... La sua voce, caratterizzata da mille sfumature, era in grado di passare improvvisamente da toni aspri e aggressivi a toni dolcissimi; inoltre sapeva far percepire in modo unico la gioia con il suono della sua voce. È la cantante che con le sue canzoni ha anticipato il senso di ribellione tipico dell'inquietudine che contraddistinse diversi intellettuali della rive gauche del tempo come: Juliette Greco, Roger Vadim, Boris Vian, Albert Camus ecc. In molti casi era lei stessa l'autrice dei testi delle canzoni che tanto magistralmente interpretava. La vita di Édith Piaf fu sfortunata e costellata da una miriade di fatti negativi: incidenti stradali, coma epatici, interventi chirurgici, delirium tremens e anche un tentativo di suicidio. In una delle sue ultime apparizioni pubbliche la si ricorda piccola e ricurva, con le mani deformate dall'artrite, e con radi capelli; solo la sua voce era inalterata e splendida come sempre. Porta il suo nome un asteroide della fascia principale, scoperto nel 1982: 3772 Piaf. È ricordata anche per un verso di una sua celebre canzone: « Non, rien de rien / Non, je ne regrette rien / Ni le bien qu'on m'a fait, ni le mal / Tout ça m'est bien égal »
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.