(Tratta da Chanson du Decervellage da UBU ROI di Alfred Jarry)
Per molto tempo fui ebanista
operaio in borgo d'Ognissanti
mia moglie lì faceva la modista
e in questo modo tiravamo avanti
Quando la domenica era bella
ci vestivamo a festa per andar
in via dell'Euchadé tanto per fare
contenti di veder decervellare
I nostri due marmocchi impiastricciati
brandendo lieti i miseri balocchi
salivan su con noi nella vettura
felici correvamo in via Euchadé
Strozzati tutti quanti allo steccato
menando colpi per meglio veder
cercando sotto i piedi un asse o un sasso
per non sporcar di sangue gli scarponi
Venite, vedete, la macchina girar
Dal ricco ammirate la testa via volar
Eccoci bianchicci di cervella
i pargoli ne mangiano e noi pure
il palotino affetta con livore
e le ferite e i piombi ci godiamo
Poi vedo sulla macchina spaurito
un brutto ceffo che mi torna poco
ti riconosco in faccia bel tomino
ci hai derubati e non mi fai pietà
A un tratto per la manica mi tira
La sposa mia che avanza con premura
Ma sbattigli sul muso un bel piastrone
Che il palotino si è girato in là
Sentendo il suo superbo ragionare
Mi gonfio di coraggio e da insolente
Di merdra al ricco tiro una gran piastra
Che in faccia al palotino si spatacca
Di colpo oltre il recinto son menato
Dalla folla inferocita strapazzato
E son caduto dritto a testa in giù
Nel vortice da cui non torni più
Venite, vedete, la macchina girar
Dal ricco ammirate la testa via volar
Ecco cosa capita a chi ignaro
Passeggia per veder decervellar
In via dell'euchadé da malaccorti
Si parte vivi e si ritorna morti
Vinicio Capossela is an Italian singer-songwriter, multi-instrumentalist, and writer born in Naples in 1965. Considered one of the most original and poetic songwriters in contemporary Italian music, Capossela stands out for his ability to weave refined and imaginative lyrics with folk and traditional melodies, influenced by sounds from the Mediterranean world and Eastern Europe. His music is characterized by a strong sense of storytelling, often inspired by popular stories, legends, and myths, which are reinterpreted in a personal and contemporary key. Among his most important albums are "L'amore è una cosa strana" (1996), "Il grande gioco" (2000) and "La terra dei cachi" (2008). Capossela has collaborated with numerous artists, including Paolo Conte, Carmen Consoli and Roberto Vecchioni. Some of his most representative songs are: "L'amore è una cosa strana", "Il grande gioco", "La terra dei cachi", "Le parole che non ho detto" and "Canzone per un amico perduto".
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