Fatigué des gens de la terre,
Le Bon Dieu, qui est surmené,
Réfléchit entre deux mystères,
Et décida de démissionner.
Il éteignit quelques étoiles,
Ferma le ciel de haut en bas,
Et d'un nuage, fit une voile
Qui prit le vent et qui l'emporta.
Et voilà le soleil de travers...
Tous les hommes qui marchent la tête en bas...
Et la terre qui s'enroule à l'envers...
Et la mer qui s'embête et s'en va...
Mais les prières...
Les prières continuent à monter
Car tous les hommes...
Tous les hommes continuent à prier...
Et c'est là qu'elles sont embêtées,
Les prières qui n'ont rien demandé...
Et c'est là qu'on les voit faire la queue,
Les prières qui attendent le Bon Dieu...
Alors, comme elles n'ont rien à faire
Les prières,
Elles se font des confidences :
- Vous venez pourquoi, vous ?
- Moi, je viens de la part d'un dénommé
Roméo, et d'une certaine Juliette...
- Qu'est-ce qu'on leur fait comme ennuis, sur cette terre ?
On veut pas les laisser s'aimer tranquilles ?
Pas commode d'arranger leur histoire... Et vous ?
- Moi, pour un gars qu'a de gros ennuis avec
son percepteur... J' vois d'ailleurs pas ce que
j' peux faire pour lui ! Mpfff !... Enfin...
- Et vous ?
- Moi, secret professionnel !
- Et vous, là-bas ?
- Moi, Hah ! Je viens de la part d'un fou !
Enfin, d'un poète... C'est la même chose !
D'abord, ce qu'il demande avec la terre, c'est impossible !
Et puis, prêcher la bonté, ça fait
démodé...
- Racontez-nous ! C'est peut-être drôle ?!
- Si vous voulez ! De toutes façons, ça
changera jamais rien ! Alors, voilà :
"Je sais bien que je vous dérange,
Mais voilà : j'ai besoin de vous !
S'il vous plaît, prêtez-moi des anges !
Il en faudrait un petit peu partout...
Pour le soleil... un par personne !
Et pour l'amour... Oh ! S'il vous plaît !
Tout plein d'amour aux mains des hommes
Pour qu'ils en fassent de grand bouquets..."
Et voilà le Bon Dieu revenu.
Le tonnerre a perdu son emploi.
Le soleil est passé par-dessus
Et voilà que la terre marche droit.
Ouvre les portes,
Que l'on porte
Le soleil dans les blés,
Que la terre,
Toute la terre
Tourne enfin sans trembler
Et l'amour a poussé dans les champs
Et les hommes le cueillaient en chantant.
Les amants ne mourraient plus jamais
C'est pour ça que tout le monde s'aimait...
Quel dommage pour les filles, les garçons
Que tout ça ne soit qu'une chanson...
Édith Piaf, pseudonimo di Édith Giovanna Gassion (Parigi, 19 dicembre 1915 ? Grasse, 11 ottobre 1963), è stata una cantante francese. È stata una grande interprete del filone realista (chanteuse réaliste). Nota anche come "Passerotto", come veniva amorevolmente chiamata (passerotto infatti nell'argot francese si dice piaf), ha deliziato le folle tra gli anni trenta e sessanta. Ma già ai suoi primi sette anni ha realizzato il suo primo passo verso la musica cantando per suo padre in strada, per qualche spicciolo, la folla la gradì... La sua voce, caratterizzata da mille sfumature, era in grado di passare improvvisamente da toni aspri e aggressivi a toni dolcissimi; inoltre sapeva far percepire in modo unico la gioia con il suono della sua voce. È la cantante che con le sue canzoni ha anticipato il senso di ribellione tipico dell'inquietudine che contraddistinse diversi intellettuali della rive gauche del tempo come: Juliette Greco, Roger Vadim, Boris Vian, Albert Camus ecc. In molti casi era lei stessa l'autrice dei testi delle canzoni che tanto magistralmente interpretava. La vita di Édith Piaf fu sfortunata e costellata da una miriade di fatti negativi: incidenti stradali, coma epatici, interventi chirurgici, delirium tremens e anche un tentativo di suicidio. In una delle sue ultime apparizioni pubbliche la si ricorda piccola e ricurva, con le mani deformate dall'artrite, e con radi capelli; solo la sua voce era inalterata e splendida come sempre. Porta il suo nome un asteroide della fascia principale, scoperto nel 1982: 3772 Piaf. È ricordata anche per un verso di una sua celebre canzone: « Non, rien de rien / Non, je ne regrette rien / Ni le bien qu'on m'a fait, ni le mal / Tout ça m'est bien égal »
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We still talk about music, but today we do it from a different point of view, taking a cue from a book, a photographic book called Ten Cities.
I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.