AM C EM G
On the streets of New York city when the hour was getting late
(same chords)
Young men armed with knives and guns, young men armed with hate
AM C D G
And Lou Marsh stepped between them and died there in his tracks
(same chords)
For one man is no army when the city turns it's back
AM C G D
Now the streets are empty, now the streets are dark
Em G Am A
So keep an eye on shadows and never pass the park
For the city is a jungle when the law is out of sight
Death lurks in El Barrio with the orphans of the night
He left behind a chamber of a church he served so long
For he learned the prayers of distant men will never right the wrongs
His church became an alley and his pulpit was the street
He made his congregation from the boys he used to meet
There were two gangs approaching in spanish Harlem town
The smell of blood was in the air, the challenge was laid down
He felt their blinding hatred, and he tried to save their lives
And the answer that they gave him was their fists and feet and knives
Will Lou Marsh lie forgotten in his cold and silent grave?
Will his memory still linger on, in those he tried to save?
All of us who knew him will now and then recall
And she'd a tear on poverty, tombstone of us all
Phil Ochs (1940-1976) è stato un cantautore americano noto per le sue canzoni di protesta politica e sociale. Nato Philip David Ochs a El Paso, Texas, ha iniziato la sua carriera musicale negli anni '50, influenzato da artisti come Woody Guthrie e Pete Seeger. Ochs si distinse per il suo impegno civile e la sua capacità di trasformare eventi politici in testi incisivi e musicalmente coinvolgenti. Le sue canzoni affrontavano temi come la guerra del Vietnam, la disuguaglianza sociale e i diritti civili, guadagnandosi l'appellativo di "topical singer", un termine che lui stesso preferiva a quello di cantautore di protesta. Tra le sue canzoni più famose ricordiamo "Draft Dodger Rag", "I Ain't Marching Anymore" e "Here's to the State of Mississippi". Ochs ha pubblicato numerosi album, tra cui "Phil Ochs Sings", "Gun of Love" e "Pleasures of the Harbor", che hanno contribuito a consolidare la sua posizione come uno dei cantautori di protesta più influenti degli anni '60. La sua musica ha ispirato generazioni di artisti e continua ad essere ascoltata oggi per il suo messaggio di giustizia sociale e la sua potenza evocativa.
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