I opened the paper, there was your picture
Gone, gone, gone by your own hand
I couldn't believe it, the paper was shakin'
Gone, gone, gone by your own hand
I know I'm gonna spend the rest of my lifetime wondering why
You found yourself so badly hurt you had to die
I opened the paper, there was your picture
Gone, gone, gone by your own hand
The phone started ringing, had I heard about it?
I shook every time I heard it ring
What was my reaction? I put the phone down
That was the only news that was fit to sing
They ask about dylan, about macdougal street and third
Question piled on question and each question more absurd
I opened the paper, there was your picture
Gone, gone, gone by your own hand
**
Oh, I remember "there but for fortune",
There but for fortune you and I would go
Fortune turned it's back on you,
Or so it must have seemed to you,
Christ alone knows what was the final blow
The last time I saw you, the last time I saw you,
Bleeker street outside the other end
I told you I'd see you, I got distracted
I never saw your face again
I heard that you were feeling stronger every day
I heard that you were well with good things on their way
Then I opened the paper, there was your picture
Gone, gone, gone by your own hand.
(repeat from **)
Phil Ochs (1940-1976) was an American singer-songwriter known for his politically and socially charged protest songs. Born Philip David Ochs in El Paso, Texas, he began his musical career in the 1950s, influenced by artists like Woody Guthrie and Pete Seeger. Ochs distinguished himself for his civic engagement and his ability to transform political events into incisive and musically engaging lyrics. His songs addressed themes such as the Vietnam War, social inequality, and civil rights, earning him the moniker "topical singer", a term he preferred over "protest singer". Among his most famous songs are "Draft Dodger Rag", "I Ain't Marching Anymore" and "Here's to the State of Mississippi". Ochs released numerous albums, including "Phil Ochs Sings", "Gun of Love" and "Pleasures of the Harbor", which helped solidify his position as one of the most influential protest singers of the 1960s. His music has inspired generations of artists and continues to be listened to today for its message of social justice and its evocative power.
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