Em C9 B7 Em
If you say all the good times are gone,
Em C9 B7 Em
If you say this rain will keep rainin' on--
AM D Em
I'll walk along with my head held high;
Am D G Em
I'll find a song and I'll sing it to the sky--
Am D G Em
I may be wrong but I'll live 'til I die.
C Am
That's the way it's gonna be.
B
Wait and see.
Even though you say hard times knock at my door,
Though you say I'll never smile any more--
I just imagine that I'm ten feet tall,
Then if I try I can climb the highest wall,
It doesn't matter if I slip down and fall:
That's the way it's gonna be.
Wait and see.
Just you wait and see.
Even though you say I've reached the end of my row,
Though you say my times are all running low--
It's been so long since I tried to frown,
That Old Man Trouble will never get me down.
It's all that easy when you know where you're bound.
That's the way it's gonna be.
Wait and see.
Even though you say all the good times are gone,
Though you say this rain will keep rainin' on--
I'll walk along with my head held high;
I'll find a song and I'll sing it to the sky--
I may be wrong but I'll live 'til I die.
That's the way it's gonna be.
Wait and see.
Just you wait and see.
This song ends on an Em chord
Phil Ochs (1940-1976) was an American singer-songwriter known for his politically and socially charged protest songs. Born Philip David Ochs in El Paso, Texas, he began his musical career in the 1950s, influenced by artists like Woody Guthrie and Pete Seeger. Ochs distinguished himself for his civic engagement and his ability to transform political events into incisive and musically engaging lyrics. His songs addressed themes such as the Vietnam War, social inequality, and civil rights, earning him the moniker "topical singer", a term he preferred over "protest singer". Among his most famous songs are "Draft Dodger Rag", "I Ain't Marching Anymore" and "Here's to the State of Mississippi". Ochs released numerous albums, including "Phil Ochs Sings", "Gun of Love" and "Pleasures of the Harbor", which helped solidify his position as one of the most influential protest singers of the 1960s. His music has inspired generations of artists and continues to be listened to today for its message of social justice and its evocative power.
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