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Have you seen the iron lady's charms
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Legs of steel, leather on her arms
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Taking on a man to die
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A life for a life, an eye for an eye
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And death's the iron lady in the chair
Stop the murder, deter the crimes away
Only killing shows that killing doesn't pay
Yes that's the kind of law it takes
Even though we make mistakes
And sometimes send the wrong man to the chair
In the death row waiting for their turn
No time to change, not a chance to learn
Waiting for someone to call
Say it's over after all
They won't have to face the justice of the chair
Just before they serve him one last meal
Shave his head, they ask him how he feels
Then the warden comes to say goodbye
Reporters come to watch him die
Watch him as he's strapped into the chair
And the chaplain, he reads the final prayer
Be brave my son, the lord is waiting there
Oh murder is so wrong you see
Both the Bible and the courts agree
That the state's allowed to murder in the chair
In the courtroom, watch the balance of the scales
If the price is right, there's time for more appeals
The strings are pulled, the switch is stayed
The finest lawyers fees are paid
And a rich man never died upon the chair
Have you seen the iron lady's charms
Legs of steel, leather on her arms
Taking on a man to die
A life for a life, an eye for an eye
Phil Ochs (1940-1976) was an American singer-songwriter known for his politically and socially charged protest songs. Born Philip David Ochs in El Paso, Texas, he began his musical career in the 1950s, influenced by artists like Woody Guthrie and Pete Seeger. Ochs distinguished himself for his civic engagement and his ability to transform political events into incisive and musically engaging lyrics. His songs addressed themes such as the Vietnam War, social inequality, and civil rights, earning him the moniker "topical singer", a term he preferred over "protest singer". Among his most famous songs are "Draft Dodger Rag", "I Ain't Marching Anymore" and "Here's to the State of Mississippi". Ochs released numerous albums, including "Phil Ochs Sings", "Gun of Love" and "Pleasures of the Harbor", which helped solidify his position as one of the most influential protest singers of the 1960s. His music has inspired generations of artists and continues to be listened to today for its message of social justice and its evocative power.
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