I got the news today
That you refused to play
Cause you never made number one
But it's not just the words
It's the deeds that are heard
When all is said and done
Kings take their crowns
They melt them all down
Trying to get the gold out
You went to hell and
Even when you weren't selling
You never ever sold out.
You weren't no leader,
You were more like a bleeder
Who was trying to cry for us all
You weren't no sage
But your sense of outrage
Sounded like a trumpet call
Fifteen years ago
In the old folky show
You were just one voice in the crowd
But now with so few singing
Your voice would have been ringing
Out 'bout twice as loud.
There but for fortune
Say a small circle of friends
Some may see the changes
So few see the ends
The pleasures of the harbor
Have come to you at last
You may not be marching anymore
But the parade's still going past.
I'm not taking the blame
That we killed you
You know you did that to yourself
But it was kind of a shame
That you played that game
You were better than anyone else
One shot of your bottle
Got you full throttle
It was the friend that was always there
But your greatest gift
And the curse you lived with
Was that you could always care.
Phil Ochs (1940-1976) was an American singer-songwriter known for his politically and socially charged protest songs. Born Philip David Ochs in El Paso, Texas, he began his musical career in the 1950s, influenced by artists like Woody Guthrie and Pete Seeger. Ochs distinguished himself for his civic engagement and his ability to transform political events into incisive and musically engaging lyrics. His songs addressed themes such as the Vietnam War, social inequality, and civil rights, earning him the moniker "topical singer", a term he preferred over "protest singer". Among his most famous songs are "Draft Dodger Rag", "I Ain't Marching Anymore" and "Here's to the State of Mississippi". Ochs released numerous albums, including "Phil Ochs Sings", "Gun of Love" and "Pleasures of the Harbor", which helped solidify his position as one of the most influential protest singers of the 1960s. His music has inspired generations of artists and continues to be listened to today for its message of social justice and its evocative power.
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