Phil Ochs

Lyrics The party Phil Ochs

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The party


The fire-breathing Rebels arrive at the party early,
Their khaki coats are hung in the closet near the fur.
Asking handouts from the ladies, while they criticize the lords.
Boasting of the murder of the very hands that pour.
And the victims learn to giggle, for at least they are not bored.
And my shoulders had to shrug
As I crawl beneath the rug
And retune my piano.

The Hostess is enormous, she fills the room with perfume,
She meets the guests and smothers them with greetings.
And she asks "how are you" as she offers them a drink,
The Countess of the social grace, who never seems to blink.
And she promises to talk to you, if you promise not to think.
And my shoulders had to shrug, as I crawled beneath the rug
And retuned my piano.

The Beauty of the hour is blazing in the present,
She surrounds herself with those who would surrender.
Floating in her flattery she's a trophy-prize, caressed.
Protected by a pretty face, sometimes cursed, sometimes blessed.
And she's staring down their desires, while they're staring down her dress.
And my shoulders had to shrug
As I crawl beneath the rug
And retune my piano.

The egos shine like lightbulbs, so bright you cannot see them,
Blind each other blinder than a sandbox.
All the fury of an argument, holding back their yawns,
A challenge shakes the chandliers, the selfish swords are drawn.
To the loser go the hangups, to the victor go the hangers on.
And my shoulders had to shrug
As I crawl beneath the rug
And retune my piano.

They travel to the table, the host is served for supper,
And they pass each other down for salt and pepper.
And the conversation sparkles as their wits are dipped in wine,
Dinosaurs on a diet, on each other they will dine.
Then they pick their teeth and they squelch a belch saying:
"Darling you tasted divine."
And my shoulders had to shrug
As I crawl beneath the rug
And retune my piano.

The Wallflower is waiting, she hides behind composure.
She'd love to dance and prays that no one asks her.
Then she steals a glance at lovers while her fingers tease her hair.
And she marvels at the confidence of those who hide their fears.
Then her eyes are closed as she rides away with a foreign legionaire.
And my shoulders had to shrug
As I crawl beneath the rug
And retune my piano.

Romeo is reeling, counting notches on his thighbone,
Searching for one hundred and eleven.
And he's charming as a cherub as he leads you to his web,
Seducing queens and gypsy girls in the boudoir of his head.
Then he wraps himself with a tablecloth and pretends he is a bed.
And my shoulders had to shrug
As I crawl beneath the rug
And retune my piano.

The party must be over, even the Losers are leaving.
But just one doubt is nagging at my caustic mind:
So I snuck up close behind me and I gave myself a kiss,
And I led myself to the mirror to expose what I had missed.
There I saw a laughing maniac who was writing songs like this.
And my shoulders had to shrug
As I crawl beneath the rug
And retune my piano.

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Biografia

Phil Ochs (1940-1976) was an American singer-songwriter known for his politically and socially charged protest songs. Born Philip David Ochs in El Paso, Texas, he began his musical career in the 1950s, influenced by artists like Woody Guthrie and Pete Seeger. Ochs distinguished himself for his civic engagement and his ability to transform political events into incisive and musically engaging lyrics. His songs addressed themes such as the Vietnam War, social inequality, and civil rights, earning him the moniker "topical singer", a term he preferred over "protest singer". Among his most famous songs are "Draft Dodger Rag", "I Ain't Marching Anymore" and "Here's to the State of Mississippi". Ochs released numerous albums, including "Phil Ochs Sings", "Gun of Love" and "Pleasures of the Harbor", which helped solidify his position as one of the most influential protest singers of the 1960s. His music has inspired generations of artists and continues to be listened to today for its message of social justice and its evocative power.

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