Oh, a thousand marching armies and a million marching men
Have won the wide world over and lost it back again,
But now the word has gone to ev'ry fallen land,
That this old world is changing hands.
From the master to the servant, from the owner to the slave
Colonial days are buried in a deep and dirty grave;
It's so easy to see and well to understand
That this old world is changing hands.
Washington and jefferson and patrick henry too,
They knew what they were doing when they started something new
It was in this giant land of ours that it all began
When this old land was changing hands.
*chorus*
And when world war two was rollin' by the tide was on it's way
Many countries had to listen to the words they had to say
And the word was spread by millions, all of yellow, black, and tan,
That this old world is changing hands.
*chorus*
Now africa and asia and the carribean shore
No longer can be counted as the spoils of war
They were bought and sold together, now together they will stand,
For this old world is changing hands.
*chorus*
Phil Ochs (1940-1976) è stato un cantautore americano noto per le sue canzoni di protesta politica e sociale. Nato Philip David Ochs a El Paso, Texas, ha iniziato la sua carriera musicale negli anni '50, influenzato da artisti come Woody Guthrie e Pete Seeger. Ochs si distinse per il suo impegno civile e la sua capacità di trasformare eventi politici in testi incisivi e musicalmente coinvolgenti. Le sue canzoni affrontavano temi come la guerra del Vietnam, la disuguaglianza sociale e i diritti civili, guadagnandosi l'appellativo di "topical singer", un termine che lui stesso preferiva a quello di cantautore di protesta. Tra le sue canzoni più famose ricordiamo "Draft Dodger Rag", "I Ain't Marching Anymore" e "Here's to the State of Mississippi". Ochs ha pubblicato numerosi album, tra cui "Phil Ochs Sings", "Gun of Love" e "Pleasures of the Harbor", che hanno contribuito a consolidare la sua posizione come uno dei cantautori di protesta più influenti degli anni '60. La sua musica ha ispirato generazioni di artisti e continua ad essere ascoltata oggi per il suo messaggio di giustizia sociale e la sua potenza evocativa.
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