Oh, a thousand marching armies and a million marching men
Have won the wide world over and lost it back again,
But now the word has gone to ev'ry fallen land,
That this old world is changing hands.
From the master to the servant, from the owner to the slave
Colonial days are buried in a deep and dirty grave;
It's so easy to see and well to understand
That this old world is changing hands.
Washington and jefferson and patrick henry too,
They knew what they were doing when they started something new
It was in this giant land of ours that it all began
When this old land was changing hands.
*chorus*
And when world war two was rollin' by the tide was on it's way
Many countries had to listen to the words they had to say
And the word was spread by millions, all of yellow, black, and tan,
That this old world is changing hands.
*chorus*
Now africa and asia and the carribean shore
No longer can be counted as the spoils of war
They were bought and sold together, now together they will stand,
For this old world is changing hands.
*chorus*
Phil Ochs (1940-1976) was an American singer-songwriter known for his politically and socially charged protest songs. Born Philip David Ochs in El Paso, Texas, he began his musical career in the 1950s, influenced by artists like Woody Guthrie and Pete Seeger. Ochs distinguished himself for his civic engagement and his ability to transform political events into incisive and musically engaging lyrics. His songs addressed themes such as the Vietnam War, social inequality, and civil rights, earning him the moniker "topical singer", a term he preferred over "protest singer". Among his most famous songs are "Draft Dodger Rag", "I Ain't Marching Anymore" and "Here's to the State of Mississippi". Ochs released numerous albums, including "Phil Ochs Sings", "Gun of Love" and "Pleasures of the Harbor", which helped solidify his position as one of the most influential protest singers of the 1960s. His music has inspired generations of artists and continues to be listened to today for its message of social justice and its evocative power.
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