When you walked out the door
Well, I was cryin' for more
Well no, I couldn't believe you'd get up and
Just leave me alone
I'm drinkin' shots at the bar
Tequila -- woman you are
Yes, I need some advice, someone nice,
With some love in their heart
We weren't talkin' too much
We must have got out of touch
So I'm lettin' you know,
I'm just slow, so don't ask me too much
Just like we never had met
There's nothin' more to be said
If you can't get what you want
You better learn how to take
What you get
Chorus:
And just as quick as the
Way that we parted
The speed I could never have guessed
Was as quick as the way that we started
That's the way I remember you best
We really did it this time
You can't fault us for tryin'
Well, there's some things in this life you must keep
And some things leave behind
We got nothin' to do
We got nothin' to prove
And if there's nothin' worth winnin'
Sometimes it's just better to lose
I'm gonna call an old flame
I won't mention her name
And I'll stop losin' my mind
Tryin' to figure out who was to blame
I;m gonna make a new plan
And get me out of this jam
And I'll stop tryin' to explain
Everything that I don't understand
Chorus
When you walked out the door
Well, I was cryin' for more
Well no, I couldn't believe you'd get up and
Just leave me alone
I'm drinkin' shots at the bar
Tequila -- woman you are
Yes, I need some advice, someone nice,
With some love in their heart
Eric Andersen (born February 14, 1943) is an American singer-songwriter of great talent and influence in the American folk scene of the 1960s. His music, characterized by poetic lyrics and melancholic melodies, has captivated a wide and passionate audience. Among his most notable songs are "Thirsty Boots", "Blue River" and "The King of the World". Andersen has collaborated with prominent artists such as Joan Baez and Judy Collins, contributing to the spread of American folk music worldwide. His career has spanned decades, going through different musical phases, but always maintaining a strong and recognizable artistic identity.
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