If I could be anything
in the world that flew
I would be a bat and come
swooping after you
And if the last time you were here
things were a bit askew
Well, you know what happens after dark
When rattlesnakes lose their skins and their hearts
And all the missionaries lose their bark
Oh, all the trees are calling after you
And all the venom snipers after you
Are all the mountains boulder after you
If I could be any one of the things
in this world that bite
Instead of a dentured ocelot on a leash
I'd rather be a kite
And be tied to the end of your string
and flying in the air, baby, at night
'Cause you know what they say about honey bears
When you shave off all their baby hair
You have a hairy minded pink bare bear
And all the bells are rolling out for you
And stones are all erupting out for you
And all the cheap bloodsuckers are flying after you
Yesterday, Daisy Mae and Biff
were groovin' on the street
And just like in a movie
her hands became her feet
Her belly button was her mouth
which meant she tasted what she'd speak, ooohhh
But the funny thing is what happened to her nose, ooohhh
It grew until it reached all of her toes, ooohhh
Now, when people say her feet smell, they mean her nose
And curtains laced with diamonds, dear for you
And all the Roman noblemen for you
And kingdom's Christian soldiers, dear for you
And melting ice cap mountains tops for you
Oh, oh, and knights in flaming silver robes for you
And bats that with a kiss turn prince for you
Swoop, swoop, oh, baby, rock, rock
Swoop, swoop, rock, rock
Swoop, swoop, rock, rock
Lewis Allan Reed nacque al Beth El Hospital di Brooklyn, New York, e crebbe a Freeport, Long Island. Appassionatosi alla musica ascoltando la radio, imparò a suonare la chitarra e sviluppò un forte interesse per il rock and roll e il rhythm and blues, e durante gli anni delle scuole superiori suonò in vari gruppi studenteschi. Reed alla scuola superiore, 1959. Nel 1956, ancora adolescente, Reed venne sottoposto ad una terapia di elettroshock che avrebbe dovuto curare la sua bisessualità recentemente manifestatasi; nel 1974 Reed scrisse la canzone Kill Your Sons circa questa esperienza che lo traumatizzò e di cui non si liberò mai. Alla fine del 1960 Reed iniziò a frequentare la Syracuse University, studiando giornalismo, regia cinematografica, e scrittura creativa. Nel 1961 egli iniziò a condurre un programma radiofonico notturno alla stazione radio WAER chiamato "Excursions On A Wobbly Rail." Il nome del programma derivava dal titolo di un brano musicale del pianista jazz Cecil Taylor. Nel corso della trasmissione, Reed trasmetteva doo wop, rhythm and blues e jazz, in particolare brani free jazz. Molte delle tecniche chitarristiche di Reed, derivarono da sassofonisti jazz come Ornette Coleman. Nel giugno 1964 Reed si laureò alla Syracuse University's College of Arts and Sciences. Lo scrittore e poeta Delmore Schwartz insegnava alla Syracuse University e prese in simpatia il giovane Reed, che nel 1966 gli dedicò la composizione European Son inclusa nell'album di debutto dei Velvet Underground. Reed dichiarò in seguito che l'obiettivo principale come scrittore che si era prefissato era quello di "portare la sensibilità della letteratura nella musica rock", rendendo superati gli adolescenziali testi delle canzoni di rock and roll degli anni cinquanta e primi sessanta (che il suo mentore Schwartz detestava immensamente).
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I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.