I've never shaken to the beat of the celebrated pace
So lift your hands up to the front
I guess the cadence ain't for me
With staccato in our brains, I never gave up?on'the?grave
But, death is?not alone, to'the point that it cuts until it breaks
I never wanted to escape!
So have you wings or have you flightà
So near-sighted in tone
Let's see them talk this one away
I never heard them say your name and this ain't the only song
Retreat!
Nowhere to run. No!
We can still hide
It's a long shot, but a short drive
Take it
Take it
Take it
All is fair in war
Give in
Give in
Give in
All is fair in love
Fake it
Fake it
Fake it
The fairest of the land
Make it
Make it
Make it
My fair-weather friend
Teeth on sheep, so sharp
Tongues held down, leave marks
Lay your head to rest
Leave your name unchecked
Can you remember when we took tomorrow back?
And now, for my final trick...
God bless the wilderness!
It ain't over yet
It ain't over yet
It ain't over yet
Into the promised land
I'll never stop bleeding
This town
I took my anger to the east
This time
I'm here to never settle down
This time
We will sing until they hear this song!
Sing louder!
It ain't over yet
It ain't over yet
It ain't over yet
Into the promised land
I'll never stop bleeding
This town
I took my anger to the east
This time
I'm here to never settle down
This time
We will sing until they hear this song!
The lyrics BAD BAD LAMBO of '68 is also present in the album Love is ain't dead. (2020)
68 è un album discografico del cantautore britannico Robert Wyatt, pubblicato nel 2013 dalla Cuneiform Records. Le registrazioni risalgono al 1968, dopo il tour americano dei Soft Machine, gruppo di musica rock progressiva con cui Wyatt aveva collaborato in precedenza. L'album presenta una selezione di brani sperimentali e jazzistici che riflettono l'influenza di artisti come John Coltrane e Charles Mingus. Tra i pezzi più noti si annovera "The Ballad of the Sad Young Men", un brano introspettivo con influenze folk. Un particolare interesse risiede nel contributo di Jimi Hendrix al basso in una delle tracce dell'album, rendendolo un documento storico unico della scena musicale americana degli anni '60.
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