„So, pack mal die Boxen da rüber, dass... Nein, weiter nach links! Die stehen nicht richtig da.“
„Yo Peter!“
„Das sind fragile Boxen, da müsst ihr vorsichtig mit umgehen.“
„Peter!“
„Der Künstler verkauft zehntausend Boxen.“
„(Was das für'n Scheiß...) Peter, grüß dich!“
„Ach, grüß dich!“
„Yo, was geht?“
„Ja, kommst genau richtig. Schau, schau dir das an.“
„Heh?“
„Siehst du das?“
„Diese Boxen?
„Diese Palette?“
„Ja?“
„Diese fünf Paletten, ich kann sie gar nicht zähl?n, das sind glaub' ich sogar zehn... Ach, dahinter sind auch noch welch?, dreißig Paletten. (Ja) Dieser Künstler verkauft dreißig Paletten Boxen!“
„Ja, schön für ihn.“
„Weil er's verstanden hat, wie das System funktioniert.“
„Was fürn Sys–“
„Du kommst mir mit deiner dreckigen EP, die nicht rauskommen wird (dreck–), die gestrichen ist, die wird nicht erscheinen, und sagst, du willst Handbandagen?“
„Ja?!“
„T-Shirt?“
„Ja?!“
„Und 'n Hip Bag in die Box packen?“
„Ja, zum, zum Umhängen, so 'n Hip Bag, ja.“
„Wo ist das innovativ? Ich sag es dir, du hörst jetzt ein mal auf mich: Wir packen Ein-Euro-Wish-Kopfhörer rein (Was?) und verkaufen die den Fans – als teuren Boxinhalt!“
„Ich kann die doch nicht verarschen?!“
„Die fressen dir aus den Händen!“
„Ja, ist doch scheißegal–“
„Und das musst du, dass musst du ausnutzen!“
„Nein, ich werd' das nicht ausnutzen, ich–“
„Du darfst denen nicht das geben, was die wollen. Hier geht's nicht um die Musik (Das sind Fans!). Hier geht's auch nicht um Liebe (Die zahlen viel Geld!). Hier geht's um Geld (ja). Um teures Geld (Ja, rich–), was wir als Vertrieb investieren in dich! Und das musst du wieder reinbringen. Und das wirst du nicht mit billigen Boxinhalten.“
„Es geht doch um die Kunst–“
„Sondern mit Ein-Euro-Kopfhörern, die wir als dreißig Euro verkaufen (Nein, nein). So funktioniert Marketing, Junge (Nein). Deswegen, (Nein, das...) ich will jetzt nicht groß mit dir diskutieren, du siehst diese Boxen da, daneben wird deine Palette steh'n mit den Boxen, vielleicht hundert, zweihundert (Ja, und?), die du grade mal verkaufst, aber nicht mit dieser dreckigen EP und nicht mit Handbandagen, 'n T-Shirt (Kleiner Piç), 'n Hip Bag, sondern mit Ein-Euro-Kopfhörern, die wir denen als teuren Boxinhalt verkaufen. Und jetzt geh mir aus den Augen (Ne–), ich habe hier noch, ich hab hier noch (Guck ma', hör–) was zu tun, wie du siehst, da stehen... Das daneben die Palette, siehst du die? (Heh?) Die ist von einem YouTuber, der rappt.“
„Ich kack' auf diese YouTuber.“
„Der macht mehr Streams als du!“
„Hör mir doch mal zu, ich will doch–“
„Und darum kümmer' ich mich jetzt! (Hör mir–) Also geh bitte! Packt den–“
„Nein, lass–“
„Nein, bitte geh!“
„Nein, warte doch mal!“
„Sicherheit!“
„Ich... Ey, Peter, hör... Peter“
„Packt ihr den bitte weg hier?“
„Du gehst (Peter!), danke!“
„So, Stückchen rüber! Und wir müssen die Qualitätstests noch machen mit diesen Boxen, das sieht mir noch zu teuer aus, das kriegen wir günstiger hin.“
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.