Er wär so gern der Terminator
und wird doch meistens terminiert.
An ihm hat sich, so scheint´s, das Leben
für ein Glückskind revanchiert.
Ihm kann fast jede widerstehen,
doch ein Geheimnis wahrt sein Mund,
es ist ihm tags nicht anzusehen,
den Namen tut er keinem kund.
Nachts nämlich holt er die Pomade
aus seinem Arsenal,
und dann, mit stolz geschwellter Wade,
erobert er das Tanzlokal.
Und wenn dann der Tango ruft,
dann kann er er selber sein.
Ja, dann treiben die Geigen ihn grad
in den siebenten Himmel hinein.
Die Damen werden schwach
und seufzen geschlossen: Ach,
so wie der gleitet und schreitet,
das kann nur der Tango Joe sein.
Nachts nämlich holt der die Pomade
aus seinem Arsenal,
und dann, mit stolz geschwellter Wade,
erobert er das Tanzlokal.
Wenn dann der Tango ruft,
dann kann er er selber sein,
dann treiben die Geigen ihn grad
in den siebenten Himmel hinein.
Die Damen werden schwach
und seufzen geschlossen: Ach,
so wie der schreitet und gleitet,
das kann nur der Tango Joe sein.
Ja, wenn dann der Tango ruft,
dann kann er er selber sein,
ja, dann treiben die Geigen ihn grad
in den siebenten Himmel hinein.
Die Damen werden schwach
und seufzen geschlossen: Ach,
so wie der gleitet und schreitet,
das kann nur der Tango Joe sein.
Konstantin Alexander Wecker (born March 19, 1953) is a German singer-songwriter, composer, and actor. Wecker began his musical career in the 1970s, collaborating with artists such as Reinhard Mey and Hannes Wader. His musical style is characterized by folk melodies influenced by German popular music and lyrics often engaged on social and political themes. Among his most well-known songs are "Die Brücke", "Der Wind", and "Das Lied von der Freiheit". Wecker has released over 20 studio albums, many of which have achieved commercial success in Germany. Besides music, Wecker is also a theater and film actor, with a career spanning over four decades.
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