Mmh yeah, oh oh ah
J'suis rentré tard en tac au tac, j'suis parti dodo
Six heures du mat' on m'réveille mais c'est pas la lice-po
Madame me guette de haut en bas, ça sent les blèmes-pro
Ça sent la merde, dans sa main droite y avait mon bigo
"Jure-le, jure-le, tu la connais pas" et "Jure-le, jure-le, tu la connais pas"
J'ai fais le maximum pour retourner son cerveau, mais tout c'que j'lui dis : ça rentre et ça sort
Et "Jure-le, jure-le, tu la connais pas" et "Jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
Elle est dans l'monologue, elle s'met à parler solo
Elle m'pose cette question sans réponse, elle m'voit en mytho
Entre les insultes et les talons qui volent à gogo
J'sais plus quoi faire à part attendre qu'elle baisse le niveau
"Jure-le, jure-le, tu la connais pas" et "Jure-le, jure-le, tu la connais pas"
Une heure après, j'la vois fatiguée, c'est pas trop tôt mais tout c'que j'lui dis : ça rentre et ça sort
Et "Jure-le, jure-le, tu la connais pas" et "Jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
Elle me dit : "Dis-moi la vérité et j'arriverai peut-être à te pardonner"
Et j'me dis que si elle dit la vérité, elle m'le ressortira dans quelques années
On va rester ici de midi jusqu'à minuit, si j'la laisse partir voir ses copines, je suis un homme cuit
Trop d'émotions, dans sa tête c'est sûrement le grand huit
Elle passe de "Je t'aime" à "J'sais pas pourquoi j't'ai dis : oui"
Et "Jure-le, jure-le, tu la connais pas" et "Jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
"Jure-le, jure-le, tu la connais pas, jure-le, jure-le"
Mmh, au bout du compte, j'ai fini par me noyer
Les yeux vers le ciel à m'demander : "Qui m'a envoyé ?"
Au bout du compte, j'ai fini par me noyer
Les yeux vers le ciel à m'demander : "Qui m'a envoyé ?", yeah
Malgré ça, j'vais nié encore et encore
C'est pour te retenir, hin, oh oh ah
Dadju Djuna Nsungula, known professionally as Dadju or Prince Dadj, is a French singer and rapper born in Paris in 1991 to Congolese parents. He is known for his R and B music influenced by rap and pop, characterized by catchy melodies and introspective lyrics that explore themes such as love, loss, and self-discovery. The son of an evangelical pastor, Dadju began writing songs at the age of 10. After collaborating with his brother Gims, he debuted in 2017 with the album "Gentleman 2.0", which achieved immediate success in France and Europe. Among his most famous tracks are "Bob Marley", "Reine", "Ma Belle" and "Jaloux". Dadju is considered one of the leading figures of the new generation of French artists, appreciated for his musical sensitivity and his talent in telling personal stories through his songs.
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