Und das Land, es zollt Tribut (Fucker das ist EnteTainment)
Immer noch im Mantel voller Blut
Diese Schlangen wollen Ruhm
Doch es bleibt für sie ungreifbar, auch wenn diese Wichser meinen, „Eine Hand voll ist genug“
Lobeshymnen für den'Thron'des?
King singen
Im Mondlichtàerklingen verbotene Stimm'n
Ich'sehe euren Untergang hier oben beginn'n
Eine Axt für die Welt und ein Thron für den Prinz
Hierauf war Gott nicht gefasst
Keine kosmische Kraft in mir trotzt dieser Macht
Noch ein Tropfen im Fass und die Meere aus Blut
Brechen Dämme und fluten mein Schloss in der Nacht
Hundertachtundsechzig Stunden
War ich der Spinne hungernd an das Netz gebunden
Sieben Tage in den Fängen tierischer Wut
Steht hier geschrieben im Blut, was ich am Vierten erschuf
Gravitation
Von Verderben angezogen fallen Schatten auf meinen Thron
Gefang'n in dieser Epoche, handel' als Krieger Gottes
Jeden Tag des Kalendariums, alle sieben der Woche
Gravitation
Von Verderben angezogen fallen Schatten auf meinen Thron
Gefang'n in dieser Epoche, handel' als Krieger Gottes
Jeden Tag des Kalendariums, alle sieben der Woche
Mein Wort in Gottes Ohr'n lauschen wir leise den Schreien im Glockenturm
Gemeinsam bestimmt für das Ende
Auf der Schneide der schwingenden Pendel
Teile mit dem Hörer diese Stücke der Geschichten
Doch beschreib' mit diesen Wörtern nur das Flüstern und das Ticken
Und alles dunkle, schwarze spielt an unserm Grabe auf der stummen Harfe
Körner der Zeit im Wind weh'n über Strophen
Der Körper aus Stein fällt auf gläsernen Boden
Meine Rebellion, erst wenn alle Zeiger steh'n
Kann er schweigen, der Dämon
Oder er reißt mich in den Tod, bevor die Zeit, die dich verschont
Den Schrei von mir vertont, um ihn dann gleich zu wiederhol'n
Und ich merk', ich komm' nie mehr hier raus
Und ich weiß, in drei Tagen wird Tag acht genau wie Tag eins
Gravitation
Von Verderben angezogen fallen Schatten auf meinen Thron
Gefang'n in dieser Epoche, handel' als Krieger Gottes
Jeden Tag des Kalendariums, alle sieben der Woche
Gravitation
Von Verderben angezogen fallen Schatten auf meinen Thron
Gefang'n in dieser Epoche, handel' als Krieger Gottes
Jeden Tag des Kalendariums, alle sieben der Woche
„Die meisten denken, wenn sie sich die Zeit vorstellen, an einen Pfeil, weil an jeder Uhr einer ist
Eine Sekunde ist eine Sekunde für jeden Menschen
Ursache geht der Wirkung voraus
Obst verfault, Wasser fließt nach unten
Wir werden geboren, wir altern, wir sterben
Es ist nie umgekehrt
Nichts von dem ist wahr, verabschiedet euch von der klassischen Realität
Weil unsere alte Logik zusammenbricht auf der subatomaren Ebene von Geistern und Schatten“
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
Hip-hop, one of the most influential cultural movements of the 20th and 21st centuries, has recently reached a significant milestone - it's turning 50 years old.
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Looking at the images, one immediately thinks of archive photos of at least a year and a half ago. Lots of people together without masks dancing freely
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David Crosby against Phoebe Bridgers, if we had been in the Middle Ages, they probably would have challenged each other with the sword, while in 2021 they decided to go wild with tweets.
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We still talk about music, but today we do it from a different point of view, taking a cue from a book, a photographic book called Ten Cities.
I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.