allongez-vous, enlevez presque tout, secouez vos bijoux,
c'est pas la peine de faire comme si c'était bien,
taisez-vous, mettez-vous à genoux, moi je reste debout,
c'est pas la peine d'etre à la hauteur pour rien
penchez vous, relevez vos froufrou, ne faites pas l'amour,
mais dites moi encore : je suis ta putain
regardez-vous, en sueur le rose aux joues, et des bleues de partout,
on vous croirais presque passé sous le train,
rhabillez vous, rejoignez votre époux, au baiser aigre doux,
c'est pas la peine de faire comme si c'était bien
si tu m'aimes un peu, je t'aime un peu, c'est tout
rentrez chez vous, prenez un bain de boue, même un bain à remou pour oublier à quel point c'était très bien ou c'était trop bien
rendez-vous, près du tout à l'égout, ne portez rien en dessous,
c'est pas la peine de faire comme si c'était bien (X4)
Benjamin Biolay is a French singer-songwriter born in 1973. Considered one of the most important artists on the contemporary French music scene, Biolay stands out for his poetic and refined songwriting, influenced by authors like Jacques Brel and Serge Gainsbourg. His musical style blends elements of chanson française, jazz, and pop, creating an elegant and introspective sound. Throughout his career, he has collaborated with prominent artists such as Alain Souchon and Camille, earning numerous accolades including the Victoire de la Musique for the album "L'amour et les autres catastrophes". Among his most representative songs are "La Superbe", "J'ai besoin d'un homme", "Le Vent du Nord" and "Je te donne ma main". Biolay is also known for his intense and moving live performances, which have established him as one of the most beloved French singer-songwriters.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
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