Viens me parler du temps de mon père
Dans la maison ou je suis née
Viens me parler du temps de mon père
Dans la maison où j'ai tant aimé
Viens me parler du temps de mon père
Dans la maison aux volets bleus
Toi le plus grand et moi la dernière
Je n'ai pas su qu'on était heureux
Trois filles et deux garçons autour de lui
Ève, Marie, David et toi
David était jaloux, Marie aussi
Quand je m'endormais dans ses bras
Viens me parler du temps de mon père
Toi frère aîné qu'il aimait tant
Viens me parler des champs de bruyères
Où nous aimions écouter le vent
Ève est partie au bout de la terre
David écrit au nouvel an
Marie repose où dort notre père
Et jamais plus n'entendra le vent
Moi je le vois toujours rire avec nous
Non le temps n'effacera rien
Ni nos rêves d'enfant ni nos amours
Et ni la pluie de mon chagrin
Viens me parler du temps de mon père
Dans la maison ou je suis née
Viens me parler du temps de mon père
Dans la maison où j'ai tant aimé
Dans la maison aux volets fermés
Dalida (Iolanda Cristina Gigliotti), born in Cairo on January 17, 1933 and died in Paris on May 3, 1987, was an Italian-born French singer and actress. Considered one of the greatest voices of the 20th century, she sold over 170 million records worldwide. Dalida began her musical career in the 1950s, singing Italian and French songs. Her international success came with the album "Salomé" (1968), which included the song "Bambino", a global classic. Dalida collaborated with some of the greatest composers of the time, including Charles Aznavour, Luigi Tenco and Ennio Morricone. Her music ranged from pop to jazz, passing through operetta and French chanson. Among her most famous songs are "Ciao amore ciao", "Parlez-moi d'amour" and "J'ai encore rêvé d'elle". Dalida also starred in several films, including "La Belle de nuit" (1958) and "The Day of the Owl" (1968). Her personal life was marked by ups and downs, between tormented loves and depression. In 1987 she committed suicide in Paris at the age of 54.
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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