Quand tes formes se dessinent, ta robe nous laisse imaginer (hein)
Que pour toi c'est impossible de dire "oui" (ouh)
Contente-toi d'me faire un signe, juste un battement de cil (ouh oui)
Si jamais tu te décides de dire "oui" (ouh)
J'ai commencé par demander ton nom (demander ton nom)
Et quelques minutes pour m'écouter, -couter, -couter, -couter (ouh)
Avant de devenir plus proche que ton ombre
Au point d'avoir le souffle coupé, coupé, coupé, coupé (ouh)
Et j'ai des projets pour toute une vie, j'suis un peu différent de celui qui chante "BruxellesVie" (ouais)
J'nous vois bien bloqués dans cette même nuit
À braquer l'soleil pour empêcher qu’ça se termine
Laisse-moi t'accompagner, laisse-moi t'prouver que cette nuit durera sûrement des années
Ma chérie laisse-moi t’enlever, tout est, tout est, tout est (ouh)
Quand tes formes se dessinent (se dessinent), ta robe nous laisse imaginer (ta robe nous laisse imaginer)
Que pour toi c'est impossible de dire "oui" (ouh)
Contente-toi d'me faire un signe (un signe), juste un battement de cil (ouh oui)
Si jamais tu te décides de dire "oui"
Dans ta tte-cha je ferais oh oh ah
J't'ai vu briser tous les cœurs des bricraveurs du club, des gros gros bras
L’amour, j’connais que celui tiré par les cheveux pendant le doggy, me d’mande pas pourquoi
Très écologique quand il s'agit de ta plastique, girl
Mauvais pronostic, askip t'aimes pas les blacks, ni beurs
J'loue un jet pour un date, j'f'rais la tchatche du septième ciel, ah bas oui
J'créé d'la moula, on vivra comme dans clip des cains-ri
T'enlèves ta robe, j'perds la vue
T'es comme du shit dans la rue, tu t'fais désirer pour mieux t'fumer dans une feuille sale
Si j'demande ta main, c'est pour la mettre sous le froc Balmain, y a pas de fiançailles ici
J'me sens comme Biggie après Juicy, j'nous vois à deux mais sur un tricycle
Un marmot, une villa marbrée à Marbella, une vie dans laquelle les aiguilles tournent mais où le temps ne passe pas, Dams
Quand tes formes se dessinent ((se dessinent)), ta robe nous laisse imaginer (ta robe nous laisse imaginer)
Que pour toi c'est impossible de dire "oui" (ouh)
Contente-toi d'me faire un signe (un signe), juste un battement de cil (ouh oui)
Si jamais tu te décides de dire "oui" (ouh)
Un signe
Ta robe nous laisse imaginer
Ouh
Ta robe nous laisse imaginer
Oh oh ah
Dadju Djuna Nsungula, known professionally as Dadju or Prince Dadj, is a French singer and rapper born in Paris in 1991 to Congolese parents. He is known for his R and B music influenced by rap and pop, characterized by catchy melodies and introspective lyrics that explore themes such as love, loss, and self-discovery. The son of an evangelical pastor, Dadju began writing songs at the age of 10. After collaborating with his brother Gims, he debuted in 2017 with the album "Gentleman 2.0", which achieved immediate success in France and Europe. Among his most famous tracks are "Bob Marley", "Reine", "Ma Belle" and "Jaloux". Dadju is considered one of the leading figures of the new generation of French artists, appreciated for his musical sensitivity and his talent in telling personal stories through his songs.
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