Sie war nicht mannstoll, sie war nicht frigid,
sie war ein Mittelmaß.
Sie las Martin Walser, manchmal Andre Gide
und zog dünne Schatten übers Lid
und lag in der Liebe brach.
Ich hab sie gepflückt, ich hab sie verzupft,
ich hab sie nach mir benannt.
Doch sie hat mir den Bauch nicht mit Farbe betupft
und hat mir die Federn nicht ausgerupft,
als hätte sie mich nicht gekannt.
Wir gingen ins Kino, wir gingen ins Bett,
alles zu seiner Zeit.
Und sie war mir nie untreu und war immer nett
und küßte mich einmal sogar kokett
auf meine Peinlichkeit.
Wir trieben´s im Heu nicht, nicht auf dem Asphalt,
ihre Schlüpfer changierte sie nie.
Sie war immer gleich, zwischen warm und kalt,
und wehrte sich einmal sogar mit Gewalt,
denn im Walde, da würde sie nie.
Da hab ich sie endlich und mit Bedacht
und ohne den leisesten Tadel
auf die nußbraunen Augen geküßt, ganz sacht,
und sie still und dezent dann umgebracht
mit einer Sicherheitsnadel.
Ich hab sie begraben unter dem Bett,
nicht ohne sie vorher zu kleiden.
Da liegt sie bescheiden und lächelt nett,
mag sein nur, daß sie es lieber hätt,
würd ich´s im Walde jetzt treiben.
Konstantin Alexander Wecker (born March 19, 1953) is a German singer-songwriter, composer, and actor. Wecker began his musical career in the 1970s, collaborating with artists such as Reinhard Mey and Hannes Wader. His musical style is characterized by folk melodies influenced by German popular music and lyrics often engaged on social and political themes. Among his most well-known songs are "Die Brücke", "Der Wind", and "Das Lied von der Freiheit". Wecker has released over 20 studio albums, many of which have achieved commercial success in Germany. Besides music, Wecker is also a theater and film actor, with a career spanning over four decades.
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