Noi siamo qui per il sangue comunque vadano le cose
Calpesto i cocci che nutrono vite pericolose
Scintille sulla rete per me lanciano bottiglie
Danneggio il tuo subwoofer e ti spacco il triter
Ti do fuoco testa di cazzo non lhai capito
Prima ti ho indicato la luna e poi ti ho rapito
Cosa ho detto per fargli urlare? ora si muovono
Prendo a calci una spia e mi porto a casa il microfono
Qui inizia e finisce presto tutto che c’è di brutto?
Tanto sono io che lancio il microfono al debutto
Distrutto dal dolore ad alto tasso io passo
Pisciando sangue tra il rullante la grancassa ed il basso
Amo sentire i pettegolezzi sul mio conto
Sono pronto tra breve a fare il vento
Suocere grottesche che parlano tanto portate sfiga lo so
Prima o poi ci annientano
Tutti buonisti che odiano le mie bestemmie
Faccio come cazzo mi pare a volere il demmi a me
Un regno con il re con il cervello in panne a me
L’amore per l’esaltazione tranne il vedere le facce da mezze seghe
I miei strilli a chi sta sotto e gli vengono le piaghe
Troppo rumorosi no! Non condividi sei squallido come i tuoi rap mal riusciti
Rit.
Noi! Siamo qui per il sangue! Stato brado!
Noi! Siamo qui per il sangue! Stato brado!
Noi! Siamo qui per il sangue! Stato brado!
(truceboys più cor veleno) Stato brado!
(Noyz Narcos)
È agghiacciante il panorama dove spargo sangue
Come compagni di merende raccapricciante
Tu l’hip hop io la tragedia dissacrante
Anti eroi o vuoi bagni di sangue fai dei trampande
Racconti sanguinolenti zero big pip orrendi
Quanti (..) bandisce
Dietro cittadini innocenti
Narcos Noyz zombie ti spacco i bonghi (…)
Allucinati di funghi e stupefacenti
(Kimo)
Stato brado! Infiltrato dentro belle storie che non ho vissuto
sputo merda fino all’ultimo minuto
l’eta dove ho seppellito il tuo pensiero buono
buio sotto il suolo dice Kimo
truceboys piu corveleno
dove notizie di sangue e putiferio
prendere tutto sul serio non è il mio criterio
va corri va a scegliere la tua verità
mascherare la tua umanità è viltà (viltà)
chiasso odioso dio bramoso mondo presuntuoso ingiurioso
mai quanto vorrei
con quelli che hanno in mano tutti i cazzi miei
me ne andrei fossi in te in un altro posto
forse per te sono troppo maldisposto
sosto e già sporco di lercio
supporto la roba malata che trovo in commercio
suono marcio tocca ad ogni costo
(Primo)
un altro Giuda con il quale mi ritrovo a cena
non mi quadra niente forse perché è nient’altro
che una messa in scena finto movimento
scatole di scarpe per comprarmi per sedurmi senza scarpe dentro
bucami lo schermo (se)
dammi un altro slogan mettimi la droga nello zucchero
sorridi e gioca pure con la mia testa vuota
noi macchine italiane andiamo solo se l’
America è il pilota
veleno trasparente sulla frutta
la strega e Biancaneve che in realtà sono in combutta
fidarmi è un lusso qualcosa di più grosso
la maschera è innocente dietro di lei buio e io mi cago addosso
e leggi la tristezza in queste righe
quando da sinistra a destra scendono dal foglio leggermente oblique
eppure tutto ti sembrava positivo
se lo dici te è un conto se te lo dico io mentivo
Rit.
Noi! Siamo qui per il sangue! stato brado!
Noi! Siamo qui per il sangue! Stato brado!
Noi! Siamo qui per il sangue! Stato brado!
(truceboys più cor veleno) Stato brado!
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We still talk about music, but today we do it from a different point of view, taking a cue from a book, a photographic book called Ten Cities.
I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.
Daniele Ciavarro
Razzapparte
Luis Grieco
Umberto Lupi
Lonepsi
Dile
Renato Giorgi
Iosonouncane
Light Sounds
Fanali Di Scorta
Johnny Dorelli & Wilma De Angelis
Radiovintage