Ey hör mal gut zu, auch ohne Product Placement und Marketing
sind wir in Strassen King weil Kids unsere Phrasen singen.
Klar, Hip Hop ist Massending, megatrendy wie 'n Nasenring,
Hör Tassen klingen Backstage weil vor der Bühne massen springen.
Das ganze Jahr lang Fasching, zuviele Kasper die Minen ziehen,
auf Afterparties Anal-smalltalk mit Vaselin.
Bei all den Faschion Szene Jungs sind wir getarnt wie Chamäleons,
bewegen uns beschattet von Plattenlabels im Nebeldunst.
Ich mag Skater die writen, doch ich lieb Writer die skaten.
So ist das eben, prioritäten lenken leben.
Ich dachte immer nur die stärksten überleben,
von wegen, Gewinner sind die anpassungsfähigsten.
Zwei der wenigen Kadetten mit streifen, denken wie Däniken,
Lenken den großen Wagen bis Zeichen in Firmamenten stehen.
Berechnen Aszendenten mit Zirkeln, ziehen Konsequenzen,
Erweitern die Grenzen Menschlichen Denkens wie Selbsterkenntnis.
CHORUS
Dein Team will starten, doch ich stop Euch aus Schießschaaten
wie USA Soldaten an Grenzen wo Mexikaner warten.
Zuviele Illuminaten riechen den Braten, versuchen zu charten,
Zuwenig Kumpels, alles nur Kammeraden,
weil A&R's Boys casten die keine Fragen haben,
und alle Rechte übertragen für den neusten Wagen.
Geklonte Helden in verchromten Felgen
rollen auf breiten Straßenzügen, verbreiten Scheiße und Wahre Lügen.
Trotzdem stehen Managher wie Don King am Boxring,
verdienen doppelt, denn beide trottel boxen für sein Team.
Wir geben gut acht, ziehenm den Hut ab,
vor jedem Auftritts DAT daß auch im Club noch Schub hat.
Rauchen und saufen bis Nachts wenn alles zu macht,
und rocken Hits, mega Metropolis bis Kuh-Kaff.
Gessellschaft ist U-Haft, Plastik Männchen in Buntlack,
kleine Gremien entscheiden über das was man zu tun hat.
1984 unterstreich ich mit gelbem Farbstift,
Orwell's Theorien residieren auf m,einen Nachttisch.
Zivibullen auf Nachtschicht, zoomen auf Nahsicht,
Spionieren Taktisch, Deine vier Wände öffnen sich praktisch.
CHORUS
Bist Du nicht der der immer wegsieht wenn ich Hi sag?
Du spürst den Einschlag, wenn mein Zweirad einparkt.
Deine Einfahrt zeigt mir klar was hier statt fand,
Dein Einfamilienhaus am Stadtrand, mit Jägerzaun und Glasfront.
Begutachtest vom Balkon wer beim Nachbarn zu Gast kommt,
liest Aktienfonds in Kapital Mags die Du beim Arzt einsteckst.
Dein Lesezirkel umreißt 90 Grad,
Du liest in Männervouges nach was Deine Frau im Bett am liebsten mag.
Curse und Chris reisen meißtens im Körper des Feindes,
manchmal scheint es, als wär privates kein Geheimnis.
Telefonverzeichnis, Konten und Kartengeld bieten Einblick,
und ein Strich von Kulli und Bleistift zeigt schon reichlich.
Und trotzdem weiß ich das kein Biter mein Reimbuch einsieht
Und das eigentlich alles von wichtigkeit in meinem Geist liegt.
Du brauchst nichtmal zuzuhören, alter, wir drucken Lautschrift,
achte beim nächsten Cover auf das, was aus den Zeilen raus sticht.
Bei Deinem Saumix bringt Loudness auch nix,
Pass auf und glaub nix von dem was Fame Dir auftischt.
Genau Chris, bei Platten von Stiebers und Curse ist kaufpflicht,
denn La Familia ist die Kombo die alles aufmischt.
German Rapper
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I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.