Kick the can down the street, like
Puss in boots in London
Pass the shutters of the station
Just keep chasing pavements
The road to success is always under construction
Kick the can down the street, man
Kick the can down the street
Love don't pay the bills
My looks alone won't make my meal
You can only sleep your way to the middle
Kick the can down the street, man
Wack it all it took
You won't find the answers at
The back of the foot
Dead men are heavier than broken hearts
Dead men are heavier than broken hearts
Always pour myself into schemes
And forget to say when
Kick the can down the street, man
Kick the can down the street
You can't guarantee peace
And no heart will complete you
The cards are not dealt equal
You are what you eat eats
Burn the candle all night to get it
In the envelope the right cheque
I just hope I end up with all the right regrets
Dead men are heavier than broken hearts
Dead men are heavier than broken hearts
Put words into action
And walk nouns through the fog
Just because you're paranoid
Don't doubt that they're not watching
Kick the can down the street, man
Kick the can down the street
Feeling away like people
Have been for ages
And when they run you out of town
Make it look like you're leading the parade
Dead men are heavier than broken hearts
The Streets are the musical project of Mike Skinner, a British rapper and record producer born in Birmingham in 1974. Active from 2000 to 2011, he revolutionized the British hip-hop scene with a raw and realistic sound that reflected the everyday life of working-class English people. Skinner stands out for his incisive and poetic lyrics, often inspired by his personal experiences and the social reality of his country. His albums, such as "Original Pirate Material" (2002) and "A Grand Don't Come for Free" (2004), are considered milestones in contemporary British music. Among the most representative tracks: "Has It Come to This?", "Let's Push Things Forward", "Blinded by the Lights". Skinner has collaborated with artists like Dizzee Rascal and Amy Winehouse, influencing generations of musicians.
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The Boy Least Likely To