If it weren't for the last minute I'd get nothing done
Just before the finishing comes another drum loop
Smoke machine blowing out a 'bout of love
Love is getting sweetening into this drink
Lighting passing over on my thinking
And all over the floor, let the fucks get the bin
Known you so long I can rely on your memory
Even DJs sometimes dance to someone else's tune
She's a beacon, gleaming equal of the disco moon
All the sleepless evenings and the grief this evening strewn
Over grief receding morning mists in 3 repeated Junes
Even DJs sometimes dance to someone else's tune
Feelings deepen, like I feel for well receiving tunes
Fleeting up from the party into the sky
Receding from my seeing like a 3-year-olds balloon
Known you so long I can rely on your memory
Even DJs sometimes dance to someone else's tune
Dreamlike visions often can just disappear too soon
Beaded sweat, like dewdrops in the weeds preceding noon
Green-eyed monsters sleep for now and leave me to my tunes
Even DJs sometimes dance to someone else's tune
Fuck those cheap adventures, always spent in the saloon
This evenings smoke machine can even smell like a perfume
Don't seek the answers to the riddles of those fleeting runes
Feet keep moving, teeth keep chewing, see me Jesus through
Deep it see they're dreaming, deep sea sleep in neat cocoons
I can feel the tension, but I'll eat it with a spoon
Secrets whispered easy to see what the people do
Even DJs sometimes dance to someone else's tune
Teardrops dry and you can try and cry me a lagoon
Put a finger to the wind of the draft
Coming in the fire exit like heaven
If it weren't for the last minute I'd get nothing done
Known you so long I can rely on your memory
The Streets are the musical project of Mike Skinner, a British rapper and record producer born in Birmingham in 1974. Active from 2000 to 2011, he revolutionized the British hip-hop scene with a raw and realistic sound that reflected the everyday life of working-class English people. Skinner stands out for his incisive and poetic lyrics, often inspired by his personal experiences and the social reality of his country. His albums, such as "Original Pirate Material" (2002) and "A Grand Don't Come for Free" (2004), are considered milestones in contemporary British music. Among the most representative tracks: "Has It Come to This?", "Let's Push Things Forward", "Blinded by the Lights". Skinner has collaborated with artists like Dizzee Rascal and Amy Winehouse, influencing generations of musicians.
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