If it weren't for the last minute I'd get nothing done
Just before the finishing comes another drum loop
Smoke machine blowing out a 'bout of love
Love is getting sweetening into this drink
Lighting passing over on my thinking
And all over the floor, let the fucks get the bin
Known you so long I can rely on your memory
Even DJs sometimes dance to someone else's tune
She's a beacon, gleaming equal of the disco moon
All the sleepless evenings and the grief this evening strewn
Over grief receding morning mists in 3 repeated Junes
Even DJs sometimes dance to someone else's tune
Feelings deepen, like I feel for well receiving tunes
Fleeting up from the party into the sky
Receding from my seeing like a 3-year-olds balloon
Known you so long I can rely on your memory
Even DJs sometimes dance to someone else's tune
Dreamlike visions often can just disappear too soon
Beaded sweat, like dewdrops in the weeds preceding noon
Green-eyed monsters sleep for now and leave me to my tunes
Even DJs sometimes dance to someone else's tune
Fuck those cheap adventures, always spent in the saloon
This evenings smoke machine can even smell like a perfume
Don't seek the answers to the riddles of those fleeting runes
Feet keep moving, teeth keep chewing, see me Jesus through
Deep it see they're dreaming, deep sea sleep in neat cocoons
I can feel the tension, but I'll eat it with a spoon
Secrets whispered easy to see what the people do
Even DJs sometimes dance to someone else's tune
Teardrops dry and you can try and cry me a lagoon
Put a finger to the wind of the draft
Coming in the fire exit like heaven
If it weren't for the last minute I'd get nothing done
Known you so long I can rely on your memory
The lyrics SOMEONE ELSE'S TUNE of THE STREETS is also present in the album The darker the shadow the brighter the light (2023)
The Streets sono il progetto musicale di Mike Skinner, rapper e produttore discografico britannico nato a Birmingham nel 1974. Attivo dal 2000 al 2011, ha rivoluzionato la scena hip-hop britannica con un sound crudo e realistico che rifletteva la vita quotidiana delle working class inglesi. Skinner si distingue per testi incisivi e poetici, spesso ispirati alle sue esperienze personali e alla realtà sociale del suo paese. I suoi album, come "Original Pirate Material" (2002) e "A Grand Don't Come for Free" (2004), sono considerati pietre miliari della musica britannica contemporanea. Tra i brani più rappresentativi: "Has It Come to This?", "Let's Push Things Forward", "Blinded by the Lights". Skinner ha collaborato con artisti come Dizzee Rascal e Amy Winehouse, influenzando generazioni di musicisti.
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