Je m'imisce dans le rythme comme la pieuvre peut flinguer
Mes potes sont tous dingues, et la musique commence à schlinguer
Une odeur qui pue de hangar moite
Car le rap est né dans les caves et pas dans les boîtes, vu?
L.A.I. range ta panoplie de DJ
Mets de la dance, pour ces izes qui n'ont rien pigé
Mais sers-moi, un rythme qui frappe, un ascète
A multiples facettes quand je pique une nouvelle cassette
Pour le plaisir, pas de ramage, ni de fromage
De racolage, je prend le mic pour faire des dommages
Et j'assure plus que l'UAP, mon style est impec
Les sec, a la tech, mec déclenche le plan Orsec
Fini, donc plus d'embrouillaminis, les règles ainsi définies
Enoncent le rap appartient à l'infini
Eloge à la mémoire, des évaporés, unique
Jamais antant de types sont morts pour l'amour d'une musique
Une combinaison d'instruments, de scratches, de samplers
C'est sur la face B que le hip-hop prend de l'ampleur
Cut Killer, voilà de l'espace, en masse avec classe
Scratche, cute en place, que je claque l'autre face
{Refrain:}
Rock the other side - la face BThis is the B Side - la face B
Chill a débuté sur la face B
C'est du nouveau son qui frappe dans tes woofers
Pas un discours d'esbrouffeur, qui confère cette couleur à tes boomers
Les b?ufs badent Balla, les stressés croient en Pasqua
Les FAF deviennent fadas, Akhenaton nick la hâla
J'ai choisi un éventail d'instrus de disques moisis
Il y avait Saïd, Majid Mourad et son frère Razi
Puis Houari, c'était l'été 85
Au centre ville de Marseille on entendait le bruit des flingues, dingue
Les escaliers du centre Bourse, le quartier Belsunce
Les Carmes, le Panier, c'est là où tout a commencé
Les jeunes troquaient les cyclos pour les GTI pas pareil
Ainsi se forgea le style des bad boys de Marseille
Des histoires de barbares tous les soirs
Dans les bars il n'était jamais trop tard pour une bagarre
T'es jeune, t'es le roi, t'as peur de rien
Jusqu'au jour où tu prends un pain d'un Marines américain
Je pesais 65 kg et ce type 120
Je suis tombé sec, un cocard, et deux dents en moins
Mais fils, qu'est-ce que j'ai pu rigoler
Chaque fois qu'un se faisait balafrer par les clandos du quartier
Maintenant je vis tranquille
Toujours dans la même ville, mais plus d'embrouilles débiles
Je suis passé sur la face A, j'ai eu la renommée
Mais putain ce que j'aime déchirer sur la face B
{au Refrain}
Je fonce, avec fougue, dans le fond du microsillon
Nous sommes des Attilas: ce sont des sons que nous pillons
J'aime, je respecte les artistes que je sample obsédé
Par la destinée du vinyl alors fuck the CD, ouais
Si j'ai pu débuter ce métier
C'est qu'on a pu disposer des faces B, des nouveautés
Sarcastiques, textes sur du plastique
100 personnes maximum, mais c'était fantastique
J'aurais pu parler d'amour sur la face A
Mais cette face-là ne m'intéresse pas
Je suis de l'autre côté de la force
De l'autre côté du risque, de l'autre côté du disque
La partie émergée d'une puissance occulte
Je demande à ce pays, la dignité pour mon culte
Et tôt ou tard, ils seront bouche bée
Confondus d'avoir ignoré le pouvoir de la face B.
{au Refrain}
Black-metal band from France
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I was about 6 years old when I listened for the first time "Blowing in the wind" hummed by my mom while she was accompanying me to school, the version was the Italian one, but I liked the rhythm right away.