Grand Corps Malade

Lyrics L'ours blanc Grand Corps Malade

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L'ours blanc


Quand l'air sera si chaud que le feu perpétuel gagnera les forêts
Quand l'air sera si chaud que les déserts mangeront les plaines, que la haine embrasera les coeurs
Quand l'air sera si chaud que la mer avalera les rivages il nous restera ça

Un ours blanc, accroupi sur un dernier glaçon
Un fou de bassan cherchant de la fraicheur sous une cascade
Une maman touchant la joue d'un nouveau né
Un sauna au pôle nord, des cocotiers au pôle sud
Des déambulateurs, des troisième age courant les alizées
Des voyageurs 20 000 lieues sous l'atlantique
Un phoque racontant ses souvenirs de banquise
Les baleines qui s'essoufflent, les taupes qui renâclent
Les glaces Häagen-Dazs devenues daubes ou risotto taupe
Les téléviseurs fondus par le soleil
Des montres molles du temps qui coule
Des amoureuses qui veulent toujours, toujours, toujours
Des amoureux qui n'en peuvent plus, plus plus ... n'en peuvent plus
Des pages, toutes ces pages collées par la sueur
Des livres, tous les livres, les ultimes refuges de l'ombre
Et puis Rimbaud et puis Leopardi
Et puis toi attendant contre moi la nuit
Même si elle brûle plus que le jour

Thank you because you correct this lyrics
 
The lyrics L'OURS BLANC of GRAND CORPS MALADE is also present in the album Il nous restera ça (2015)

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Biografia

Fabien Marsaud, known as Grand Corps Malade, is a French poet, singer-songwriter and director born in 1977. Considered one of the leading figures in slam poetry, he has captivated audiences with his raw and authentic poetry that tackles sensitive social issues such as immigration, inequality and marginalization. His music, a blend of rap, French chanson and electronic sounds, is characterized by incisive lyrics and engaging melodies. Grand Corps Malade has collaborated with numerous French artists including Alain Souchon, Camille and Gaël Faye. Among his most famous songs are "Le Syndrome de la Lune", "La Vie en Rose" and "Mesdames". His album "Je veux être là" (2013) was a great success with both the public and critics.

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